I recently read Hermann Hesse’s “Narcissus
and Goldmund.” Before he wrote “The Glass Bead Game,” for which he won the
Nobel Prize for Literature in 1946, “Narcissus and Goldmund” was considered his
literary triumph. There is good reason for it. Through the novel, Hesse
explores Nietzschean thought and Jungian archetypes through a medium of entertainment without losing his audience along the way (evidence: I read this in two nights and it was very hard to put down).
The story begins in a cloister when a young
boy comes to study at the school. Narcissus, one of the cloister’s gifted
teachers, takes the boy, Goldmund, under his wing and begins to open his eyes to his true nature. Goldmund initially wants to become a monk, like his good friend Narcissus, but Narcissus makes him realize that he
is entirely unsuited to a monk's ascetic life. Where Narcissus is a thinker, a man of ideas and the abstract, Goldmund is an artist, a man of the senses and passions.
Narcissus realizes that waking up this dormant nature within Goldmund and urging him to pursue his true self will most assuredly result in him leaving the cloister and possibly destroy their friendship, but this is a cost that must be accepted. As Narcissus himself states, “My goal is
this: always to put myself in the place in which I am best able to serve,
wherever my gifts and qualities find the best soil to grow, the widest field of
action. There is no other goal.” In this case, Narcissus serves Goldmund by revealing to Goldmund that he needs to consider another life trajectory. It is an interesting goal and likely one of the few selfless actions in the book. I resonate with both the goal and the action. I myself have
made some important life decisions based on finding "the best soil" for my gifts and qualities and I admire the desire to use these to help another person become the very best person he/she can be. This is, in my view, a consequence of "loving my neighbour." Of course, I disagree with Narcissus in how this should be done and the reason for helping someone become "the best them," but our conclusions are similar!
As a result, Goldmund goes off into the world and pursues a hedonistic life. His driving force? Lust. Lust for women. Lust for freedom. Lust for life. Here it is appropriate to give my judgment on the book. I don't recommend it. The good parts of this book (interesting commentary on relationships, morality, purpose of life, etc.) did not need explicit sex or murder scenes. I did not need to know the details of Goldmund's hedonistic life for me to understand who he became. This book contained much that was not "noble, right, pure and lovely." As such, I cannot in good conscience recommend it. Sin was not presented as sin, but was seductively presented as justifiable and possibly even good.
In any case, the story continues and toward the end of the book, [SPOILER ALERT]
Goldmund returns to the cloister. Narcissus does a bit of good ol’
psychoanalysis and explains that Goldmund’s hedonistic living was an escapist
mechanism. He says, “So you find yourself surrounded by death and horror in the
world, and you escape it into lust. But lust has no duration; it leaves you
again in the desert.” Despite this succinct analysis, most of the book is spent pursuing and praising the hedonist's life. Goldmund does seem to gain some maturity in his last years (maybe? kinda sorta?), but it's not really clear what exactly he learns and what of his younger life he actually deems foolish. It's a disheartening ending because Narcissus' observation is entirely correct: Goldmund experienced all life had to offer, but he was left in the desert with a life of few worthy accomplishments (a few great art pieces, but no moving acts of unselfish love, no obvious character growth, ... nothing of eternal significance). Goldmund's hunger is not satiated with women or the vagrant's life.
One of the things about this book that greatly saddened me (an emotional response to
a book is just a fact of life, so a purely intellectual book review is not a holistic picture) was the religious positions of these two men.
Narcissus is essentially a Platonist. His religious life in the cloister has
not affected him in the least except to provide him with the ideal climate in which he can pursue a life of
the mind. His pursuit of truth and learning has not led him to the ultimate Truth.
Goldmund, disappointingly, rejects a notion of god, or at least a loving god, and comes to a point of goddess worship. This goddess is an amalgam of his mother, the women he loved, and a general “mother earth” persona. Goldmund’s dream is to create a sculpture of this woman and apart from the fact that he would have done it in the art traditions of the Middle Ages, I cannot help but think it would have born many similarities to the traditional “Venus figurines” of the Paleolithic time period (see the Venus von Willendorf at right). His great epiphany is that joy and agony are not opposites as one might suspect and that the mother goddess is both a goddess of love and death. This conclusion leaves much to be desired. Although Goldmund embraces death, it is not because "to die is gain." Goldmund does not recognize that the relationship between joy and agony is because "we consider our sufferings joy" or "in our weakness He is made strong." In fact, Goldmund cannot even articulate why they might be related. With a broader spiritual understanding, I think he would have been able to find much of what he was searching for. Just as Narcissus' quest for truth should have led him to God, Goldmund's quest for love and freedom should have led him to the cross. After all, "it is for freedom that Christ has set us free" and "we love because He first loved us."
Goldmund, disappointingly, rejects a notion of god, or at least a loving god, and comes to a point of goddess worship. This goddess is an amalgam of his mother, the women he loved, and a general “mother earth” persona. Goldmund’s dream is to create a sculpture of this woman and apart from the fact that he would have done it in the art traditions of the Middle Ages, I cannot help but think it would have born many similarities to the traditional “Venus figurines” of the Paleolithic time period (see the Venus von Willendorf at right). His great epiphany is that joy and agony are not opposites as one might suspect and that the mother goddess is both a goddess of love and death. This conclusion leaves much to be desired. Although Goldmund embraces death, it is not because "to die is gain." Goldmund does not recognize that the relationship between joy and agony is because "we consider our sufferings joy" or "in our weakness He is made strong." In fact, Goldmund cannot even articulate why they might be related. With a broader spiritual understanding, I think he would have been able to find much of what he was searching for. Just as Narcissus' quest for truth should have led him to God, Goldmund's quest for love and freedom should have led him to the cross. After all, "it is for freedom that Christ has set us free" and "we love because He first loved us."
This book made me wish I were still studying philosophy though! Unfortunately, my books by Nietzsche are elsewhere and I'm too lazy to go check them out of the library, but echoes of "Thus Spake Zarathustra," "Beyond Good and Evil," and "On the Genealogy of Morality" were all over the place! I don't know much about Jungian thought, but I do know that the analysis of these two very different personalities and their interactions with each other and with others recalled the Myer's Briggs personality types (which are based on Jungian archetypes). I will spare you a detailed analysis on the philosophic and psychological statements made by the book because they would be 1) largely uninformed, 2) tedious (much citing and cross-referencing), and 3) likely completely counter to what the author was actually trying to say!
That's my take on Hesse's book. I will likely not read any more of his books, but I appreciated the opportunity to dust off some critical reading skills. Karen Kingsbury leaves a bit to be desired in meaty commentary, you understand...